the new night light records release is brimming with 4 killer techno tracks from the likes of mladen tomic, sinisa tamamovic, paride saraceni and dani sbert. blossoming tech beats, and robust bass lines, these four dance-floor tracks will provide the vibes you need for your parties! massive support from richie hawtin, dubfire, adam beyer, umek, paco osuna, kaiserdisco, monika kruse, mark knight, dj chus, joseph capriati, cristian varela, sian, yousef, bart skils and many more.

after 3 years of releasing successfully as a digital only label, genesa records is starting with a special series of vinyl releases. for the first release we have original works by the label owner himself, scalameriya, and one of genesas main artists, yuji kondo (aka ducerey ada nexino) from japan. on the remix duty, 2 well-known names: the fierce sound of ancient methods & floor shaking grooves from one of spains legendary acts, the incredible duo, exium, are pushing this record into higher standards.

jack fell down do it different. happy to be anonymous, they focus on the purity of their sound and the quality of their productions. stripped down and moody their house music really speaks for itself, especially on the dance floor. home taping maestro the revenge gets fully involved and delivers a truly astonishing piece of deep and driving underground house music. you need this in your collection!

danse club records is a the uk-based house & techno label conceived by the brothers who form brodanse. danse club is dedicated to both releasing solid grooving, big, bad, upfront dance-floor records and re-releasing, remastering, and remixing big floor-filling house tracks from the 90s as part of their gold series.

continuing their forays into the world of yesteryear grooves unabated, those pesky hell-dwelling lumberjacks are at it again, this time drafting in o boogie and red greg for some disco funk finesse for the smoothest get-downs. o boogie lords it over the first side, leaning heavy on a rich piano hook that hammers lower register chords over an incessant disco tick, while evergreen track >papa was a rolling stone< gets re-versioned in such a floor-burning fashion you will need asbestos boots just to get out alive. red gregs >inner rhythm< plies familiar tropes into a sweet instrumental groove that makes all the right moves.

disco deviance are back with a seriously hot release by nycs very own deep&disco. following a run of strong releases on whiskey disco, deep&disco and razor n tape, here d&d reworks two underground classics that draw on inspiration from the golden days of larry levan and the heyday of disco music. respectfully edited, lovingly enhanced and beautifully remastered, they are guaranteed to work any dance floor.

new leng signing auf togo are the combination of clement cachot-coulom from the fabulous penetrators and sasa crnobrnja, one half of in flagranti. their combined sound is one of vintage recording equipment and instruments coupled with tweaks and blends from the modern studio. this new 12 inch for leng draws on all their knowledge of the past and of the current club scene, effortlessly gliding through deep, warm analogue sounds and tougher studio techniques. both tracks have guitar work that reminisces of a late 60s west coast scene laid over strong bass lines and beats giving the perfect mix of home listening fuzz and a late night dance floor.

london based club night and freshly formed label sub skank kick off with the first of three various artist limited 12 inches, guaranteed to annihilate any bass driven dance floor.

on his new release for desolat, chilean producer aldo cadiz stays true to his musical vision. tightly programmed beats, heavy dose of rhythms, haunting soundscapes. if youre looking for the good times on the dance floor, here is your soundtrack. enjoy!

decoy 01 showcases southampton artist chris colburn, a regular feature on alan fitzpatricks 8 sided dice imprint. a selection of 3 techno gems made entirely for the dance floor. acid whip is the lead track, big drums and a nerve cutting acid line create this frenzy of a track. universal oddity brings in a tonal bell ploughing through light percussion and chris signature kick. no smoke is last but not least delivered with a touch of soul through the melodic stabs and swirling hazy noise effects, taking it even deeper. hans bouffmhyre adds his touch to the ep with his remix of acid whip, pulling away from the acid and focusing on the drums and effects, the sleaze and electric deluxe artist doesnt fail to deliver as the track flows, drops and lifts with this warehouse style monster.
decoy records is launching in 2012 at a time where electronic music has become very exciting. with a grass roots approach and a nod to talented uk artists, the story begins.

illuminating late night in pure electronic genius is this brilliant portfolio of ocean deep productions. leading off, drivetrains (detroit, usa) >together< rocks the floor from the first dropped beat. but the real surprise is the evolving melodies submerged in infectious groove. rubba js (brussels, bel) soiree debut >reflection< details a meticulous syncopation dancing through relentless rhythm. absent for over a decade, country gents (london, uk) return to soiree with >need me<. club-tested, the booming bass and powerful vocal provide a wicked sonic high. professor inc (paris, fra) brings another earth quaking, body-shaker. >luvin< fuses clever chord progressions, subsonic riffs and the tweaked-out vocals of kris magnetik. aqua marine – redefining the fathomless depth of the underground.

a melancholic dance floor masterpiece with remixes by morgan geist and life & death

son: a highly percussive track that builds up from a simple hollow kick to something special that those on the dance floor will appreciate. on top is a dollop of filtered chords that move back and forth.
gate 5: razor sharp chords combined with a compressed drum beat and percussion.

autodiscothque follow up on their cracking rayko release with a hot new edition by current greg wilson favourite...pez! continuing the labels >more ron than larry< dance floor philosophy, pez drags the sound of pop back into the underground and makes it want to jack. strictly for club demonstration only.

a romanian collective of 3 different artist. each track based around a funk within each bassline. all inviting the listener to the dance floor. atlantziiduo comes from bucharest with a strong base around natural drums & percussions. their track >antilopa< a warm bass that brings out the groove as the gentle ambient pad drifts across drops of wood blocks and open hats egal 3 is no stranger having been on the tongues and tables of many clubs the past 2 years. this young addition the yimuzik family grimes out >remaster< for b1. funky bass hook grabs the listener building up to the piano drop. melody overlaps snare rolls as the blessing vocal sample gives praise. derek, another stallion to yimuzik stable, spices things up with >skjape<on b2. a storm of rhythm with a rounder bass and touch of rawness.

andreas saag returns to local talk with a follow-up to his back to life ep, this time he has invited longtime friend and studio partner cazuma mori, together both of them offers the local talk fans house music with a distinctive production technique. >nostalgia< is a warm stomping basement beats floor-filler, with a fat bassline tempered by rising chord textures, smartly coordinated with the pulses in the track. both saag & cazuma showcases their skills in tackling slower bpms too. the b-side >cant hide it< comes with intricate keyboard work and deep atmosphere that is driven by an appealingly on-point house bassline. the track picks up a new elements at just the right moment to keep you on board the whole 8 minutes. there is no messin around here, just pure deep house from local talk.

magic feet are gaining momentum after the superb tommy awards ep, and welcome timothy j fairplay to the fold for their third release. fairplay is a rising star of the uk underground and recently opened proceedings on bird scarer, the new vinyl-only initiative from andrew weatherall, with the sprawling cosmiche flecked brilliance of >the final reel<, and has also contributed to the output of astrolab and world unknown. fairplay has little interest in making functional dance floor records and delivers four cutshere that plough a distinctly epic path through post 100bpm electronic music that is framed by both cinematic and musical references. limited to 300 hundred copies only.

my nu leng join 877 records to present this exciting two track ep released on vinyl and digital. a side, the grid leads the way with an explosive dancefloor anthem that is already receiving serious attention in clubs and on radio. garage organs mix with rolling bass, swirling vocal cuts and boiling percussion all mixed together to form an instantly memorable and timeless floor-filler. hips n thighs (ft. majora) follows where the a side left off, a tough and dark stomper blending classic elements with cutting edge sounds, mysterious vocals and rising melodies.
early dj support from: dj ez, rosca, el-b, addison groove, marcus nasty,hudson mohawke, clek clek boom, goldffinch, tomb crew and many more

the rogue cat swings into town yet again for this, the fourth time. in the guise of mislead-back-room-bass-bellowing miscreants, and in-keeping with their ethos of anything-goes-as-long-as-it-blows, rcs step up to the plate with another oddball belter of an e.p. in this excursion, warehouse-warlord the rhythm odyssey teams up with deep house botherer benny upsetter for a dirty and dishevelled dance floor detonation.

ursl goes dark deep acid! this ep from frag maddin including a remix from luis hill & marc poppcke shows a dark deep side of ursl. all three tracks have a dramatic structure and are definitely made for the dance floor. watch out, you might see him dancing!

primitive world music lurks in the shadows of the weirder, experimental side of the dance floor - juddering bass, knocking kick drums, dropouts and pops and scuzzy, fizzing synth lines alongside the jacking percussion. think morton subotnick meets marshall jefferson - this is house musique concrete.

nite recordings third 12 inch brings a amazing production by deep mariano & yoshitaca together. this single gives us an original song called oh yeah! with a crazy voice sound and very fat bass line. in the other side of the vinyl we have a deep house song called smog, perfect for warming every dance-floor. also we have a remix from fer marino of oh yeah! which highlights the crazy voice with classic 909 drums. a must-have 12 inch that you can play a any time.

londons dogmatik label goes from strength to strength and after the success of the dusky – flojam ep, they deliver yet again with peace divisions mighty blacklight sleeze. opening with the dirty and sexy remix by dyed soundorom this one show to be for the true house playas who want their tracks bassline driven, sexy and full of tension high. on the flip we got man of the moment gerd spicing things up and preparing his acid sleaze mix ready for the sleaziest darkrooms. his tough sleaze mix is going straight for the main floor with a heavy pulsating bass setting the tone with hypnotic vocals on top in a classic and timeless chicago house way. a solid 12 inch release.

handnumbered with handmade spraypainted artwork. strong limited. the >times are ruff< label kicks off with a collaborative split ep by the larry de kat and the label-collective times are ruff themselves. >no dough, just cookies part 1< is a disco-fused tool for the experienced dj and/or obscurity collector, a ready for the dance-floor as for that sunday afternoon podcast. limited copies available for this first release, and there will be no repress. so catch these cookies while they are still fresh from the oven..

esls french connection, music producer extraordinaire, chris joss, is back with a blazing new 7 inch.
side a brings us >toxic smoke<, a dance floor killer. its what happens when afrobeat and disco spawn a mutant lovechild. sure to get the floor jumping. no toxic smoke, only vapor!
side b >sequence of spectators< is a tribute to an old french tv show. the theme song was a big inspiration to chris as a child and this song is his twist on it. driving afrobeat-inspired grooves provide the base for powerful horn and key lines. a solid groover.

bastard jazz is proud to present the debut ep from brussels based production duo eric p & luigi aka monkeyrobot. coming to light through their work as 74 miles away (melting pot music) and tall black guy, who selected their standout >basement infusion< track to be on his tempo dreams compilation album (released in june on bastard jazz), and alliance between the label and m.r. seemed natural.
here on their self titled 12 inch, monkeyrobot deliver four diverse tracks that showcase their skills behind the boards, the keys, with a keen ear for the dancefloor. kicking things off, >brick stomach< is a synth-heavy four-to-the-floor 120 bpm joint that comes off like a floating points visit back in time to 1980s detroit with its rolling snares, arpeggiating synth bassline and cloudy pads. next up, >northern light< filters shimmering space disco vibes through big, thumping instrumental hip-hop drums and moody analog bass. on the flip, >rose gris< takes things in a funkier direction at 100bpm with its syncopated drums, irresistible lead, squelching bassline and all manner of synthesizer explorations. rounding off the ep is >last days<, which still manages to inject a funky 80s analog sound into its melancholy downtempo vibes.

grinding teeth is a unhealthy habit, but sometimes you cant help it. back on track on their mission to provide the worlds most hypnotic yet kicking techno beats, its all about the saegezahn and crunchy grinding on neufeld 02 sawtooth grinder. an amazingly diverse release, with three different takes on the original, each work stands on its own yet shares a common goal - to inspire people to hit a dark dance floor and shake their bodies as hard as they can and lose their minds in acid lushness.

the first reference of this argentine label, monochromatic records, it is a serious bussiness. in one side, specter - a chicago producer that edit by labels like sound signature or sistrum- with a pure class organic and deep warm up track. on the other side is the banfield audio track, with a more floor oriented but yet deep and warm analogic sound.

the first new album by soundgarden in over 15 years! double 180 gram vinyl lp in gatefold sleeve, includes code for free mp3 download of the full album.

expect the usual heads down, subterranean business! side a contains probably the most dance floor friendly track that laak have produced, always true, with a solid bass line and 303 subtleties to get going. the second mix of it adds some classic chords to great effect. flipside is for the underground heads, with a lush brooding track called mixed messages and a slo-mo burner amor meus closing the ep. only available on vinyl as usual.

smalhans is the fourth solo album by norwegian producer hans-peter lindstrøm, and his second album to come out in 2012. earlier this year he released six cups of rebel, which was a very personal album for lindstrøm and showed his more experimental side. now, this forthcoming record on smalltown supersound, finds lindstrøm back on the dance floor with six monumental tracks – classic lindstrøm style.
smalhans was mixed by his friend todd terje, who has also made extended edits which will be released as 12 inches. the album title is an old norwegian word and means scarcity or simply poverty. each track on the album is titled after a traditional norwegian meal. smallhans is lindstrøm at his very best, perfected by todd terje.

nick höppner and auntie flo present essential tracks fitted for maximum floor response

doyeq has charmed us in the past with their work on the >knights of the sad pattern< compilation released by pro-tez records late 2011. >without music< is a killer 12 inch from pro-tez camp with remixes from satoshi fumi, tom clark and yate. all mixes work for the dance floor, ranging from spindly-tech/house through to lolloping great hunks of beaty chunky goodness with an estranged herbert/swayzak feel.

antonio olivieri presents a sort of tightness and sheen quality in his tracks that grade him a highly skilled and polished producer. antonio helms a knack of finding inescapable mood and desire in this 3 track ep, >rudiments< the latest from steyoyoke, and arguable its most exciting output yet. the ep combines elements of repose and melodic tranquility with dance worthy tracks. as the title suggests rudimentary components provide the basis, in a way that distinguishes each track to its own dance floor setting.

support by noir, sascha braemer, tiger stripes, m.in etc. while its getting colder outside, miyagi sends us beautiful melodies for the autumn. you will bet! but such as love the new rennbahn has got a lot more to offer! weird world is a dreamy & floating deep house track, which will levitate you over the dance floor. warm melodies combined with a heavy bass line make sure to catch the mind of the people. the remix of jaxson & david keno let disappear your thoughts in the straight beat and the floating and hypnotizing bass rhythm! this remix is anything but weird. on the b-side, medusa is waiting for you with deep sounds and a beautiful piano chord in order to take you on a journey through her walk of fame. dont you dare to look at her cause her dreadful sight will turn you into stone. with oliver schories remix you will discover an interplay between deep basses and beautiful highs accompanied by his typical piano sounds which finally come together to one gorgeous climax at the end of the track.

for our third release, we welcome back the collaborative efforts of our three family members mia dora, hahaha & raksha. joining forces once again, they depart from the awkward rhythms and stuttered arrangements of their first joint outing and instead offer up a slab of relentless, dance floor shattering techno.
dj & radio support from bbc radio 1, kiss fm, sinden, sei a, clouds, jackmaster, mary anne hobbs, joe goddard, eats everything, dubbel dutch, toddla t, tomb crew, mj cole, hannah holland, optimo, sonic router, mash, all caps, greenmoney, lone and more. artwork by grampian mountains.

tribute continue to chart the deeper, funkier and more balearic musical territories with their mighty dj friendly reworks. for the latest edition, cut n paste duties are rumoured to be supplied by none other than keep schtum (the man behind the amazing hang together remake) and he serves up a serious slice of dance floor driven funk. single sided vinyl, no digital and with a heavy, heavy cut!

rmixed coloured vinyl only release !!! eady for some bambule and some glory in the morning suit for deep emotional moments on the dancefloor whitelabels, bootlegs, dubplates are a part of the dj culture since the late 70s when djs starts to be individuals and not anymore record players of radio edits. in a time of digital revolution is it important to remember where we come from and to understand music as a gift from me to you and let that we enjoy it on the floor in the manifest of dancing. no profit, no hurt, just free music for free people.

paper recordings continue their journey back to plastic with another vinyl release once again proving why they remain one of uks best loved labels. jamie l is a mysterious figure of undisclosed origin and history who fits in to the moodymann / theo parrish mold of heavy future disco, which his new production >(what we saw) in the burg< nails. it is a heavy leftfield groove laid over broken house beats with a filtered bass, samples and leftfield vibe. the detroit pad creeps up to the break and filters in and out as the track works its way through for locked down dance floor business. next up, havana candy breaks out the analogue and takes things deeper and techier. with a rolling bass and tweaking acid line, it cuts to a rhodes before filtering down and riding back to the heads down groove. cottam steps up for paper for the first time and demonstrates what all the fuss is about with a very special mix. clocking in at 9.41 it is deep, tough soulful house that crosses the 4/4 divide from techno to disco and deep house to soul.

>bored of shit< is the first release from new label k!ssa records. it follows dollskabeats debut >zodiac rising / no breaks no sleep< ep, which grabbed the attention of the music press, radio 1 and 6 music back in 2009. an electronic punk sneer and light-hearted grump at the state of modern popular culture, >bored of shit< is perhaps not what people might have expected as a follow up from dollskabeat but either way, it is a sure fire dance-floor filler. the ep also features an exquisite remix from vakula who described the track as impossible not to dance to and guest bass playing from firecrackers fudge fingas. keep your ears peeled for future dollskabeat release >so long for a small storm< - a mould-breaking piece of electronic music that will pick up where she left off. pressed on 180g vinyl and mastered by matt colton at air studios.

jolly mayhem, this one is sure to rock the floor & is already getting major support from some serious heads! the flipside is a more mid tempo house affair but is equally as devastating. richard from milwaukee takes on better off, a stomping disco groove which escalates into full-on crowd control.its all about the classics here, with richards trademark chunky percussions & synths galore. did we mention the bassline? kick back to this one. dj kaos jolly jams imprint delivers again!

sunwalkers is the b-side project of rks, thats what happens when the power of the beats meets the light of the synths. a raw mix of miscellaneous pad and analogue drums that start with a tribute, a detroit reminding track, 303 acid bass and a blaze of sweet melodies, like the old school way says. the ride goes on with 2, an easy dancing jam, the piano chords run into an unceasing clap for a massive dirty floor killer. on the b-side terrence parker puts his groovy piano style on a brilliant remix of the light, seven minutes of pure detroit parkers energy with a dreamy heartbreaker bridge.

with recent releases for internasjonal and tim sweeneys beats in space records, los angeles based producer secret circuit (otherwise known as eddie ruscha) has had a breakthrough year with his brittle synth jams, taking inspiration from balearic disco and minimal wave alike. however, he has been a prolific producer since 1996, and this record on emotional response, entitled tropical psychedelics, collects productions from rusha up until 2010 that have previously only seen the light of day on cassette releases. described by the label as a >balearic-tropical-afro-psychedelic whirl<, the album packs a rich palette of analogue textures into its ten tracks, from the afro dub of >afrobotics<, through the hazy, beatless combination of piano and analogue synth on >psouvenirs< to the psychedelic tropicalia of >foggy twilights<.

deep and dubby with a splash of funkiness, james does what he does best - quality house with a capital q! feel the heat on this 10 inch floor burner!

to mark its 11th release ce launches a new v/a compilation series featuring exclusive material from some of the hottest names in electro from across the globe right now. the world electronix series will be strictly limited to 4 x single press 12”s with no re issue. the first instalment of world electronix aims to showcase the darker dance floor side of the genre. the series kicks off with parisian resident carl a finlow aka silicon scally who turns in a signature style machine tech roller reminiscent of his early scsi av works. the duty then shifts to spain s number one electro export boris divider with a clinical, tight, rother-esque groove. on the flip we see london based ce label head sync 24 join forces with australia s abstract forms label owner deixis. the debut release for these 2 artists is a spooky,spacey affair with haunting vocals and a killer sub!rounding off the ep are finnish duo morphology, who alter the proceedings with a freaky 4/4 electro piece. the following editions of world electronix will include tracks from e.r.p, versalife, gosub, the exaltics, crc, dynarec, fastrgraph, plant43, defekt, steve allman, sync 24 & deixis. watch this space!

manmakemusics fifth release, a 10 inch vinyl-only ep, comes from u, the newest addition to the imprints expanding roster. unlike the labels first four outings that were aimed squarely at the dance floor, this record is a stranger and more pensive affair featuring 4 raw cuts of genre defiant electronica. opener >eah< borrows from 80s chicago house but strips out some of the more familiar tropes leaving just a guttural and infectious rhythm. >evil spirits< is a stuttering mournful piece while >haunted< flips a faintly recognisable sample over a shuffling 4x4 beat. the ep is rounded off with >heaven<, the most optimistic of the 4 tracks, and described by the artist as a warped homage to an idealised golden era of british dance music.

fascinating, tantalizing, mesmerizing release by our new kid on the block, leipizigs upcoming philipp matalla, known for his resident nights at local distillery. reduced and touching but full of sparkling moments and deliberate deep warmth and always with a definite eye on the floor this elusive ep will be come a steady contender in finest sets and record collections. the ubertrack is propably line ten with his irresistible slightly off piano and xylophone flow that simply builds forever and a day. so cool! final mixdown and horns on space line by prins thomas.

a sonic journey like no other- harry axt takes you on a ride through the dimensions of sound. begining deep harry gets dirty with dimensions then delivers some top tier tech-funk with drifting. the third stop is 2 faces, perfect for the remaining open-airs of the summer with a melody that will stay with you long after the journeys over. with its unorthodox vocal loop and a jacking four-to-the floor-beat!

vinyl only release !! limited to 300 copies... after the previous four compilation releases, merkurs founder shingo suwa now announces his own ep. as first track never leave me / original mix is a smooth house track, which combines synthetic riffs and chords with a solid bass line. hm dub is a remix by house mannequin, this remix contains some of the vintage chicago style beat, including filtered pads with dubbed samples. it is an incessant groove of a mellow and simple dub edit. side b inhaled deeply / original is a profound production by shingo, created with a deep and raw groove. wild rhythms assist the techno flavor here as well. sei katsu acid mix was created by the mysterious newcomer sei katsu from miyazaki. this remix is a repetitive trip through hypnotic, sweeping synthesized lines and tricky drumming. its kind of a dj tool that is functional on the dance floor